Fumiko's Confession
25 Jan 2010



This indite animation entitled "Fumiko's Confession" has won You Tube Video Awards Japan 2009 - Look at the following URL for more:

http://66.196.80.202/babelfish/translate_url_content?.intl=uk&lp=zh_en&trurl=http://www.youtube.com/user/YTVawardsJP2009

She is asking the boy out but he says he wanted to focus on baseball! That breaks her heart, and as she runs away she tips over a trolley and encounters an adventurous fall!

True Colour
10 Jan 2010



Colours created for web should be carefully selected to make sure users with older hardware /graphic card are able to see them correctly.

A few years ago, one should be vary careful and to be on the safe side, should design graphics for web using the 8-bit colour palette, which meant that just 216 colours were allowed in order to make sure 8-bit video cards were able to display all the colours in the graphics. These were known as Web-Safe colours.

Today, all the new video cards are 24-bit, which means each pixel can be displayed with 24.bits. 16.7 million colours can be represented when the True Colour setting is enabled.

In Windows XP, under the Settings tab in Display Properties, depending on the graphic card, the colour quality can be set also to Medium - 16 bit. 65536 colours can be displayed in this setting.

To have fun with picking any colour from your display and saving it for your web projects, have a look at http://www.filebird.com/the-color-picker/download/ to download The Colour Picker.

To see an lone colour schema creator for your web site design, visit http://www.colorspire.com/

D-Barcode
5 Jan 2010



D-Barcode is a Japanese barcode design company with the motto of "Big ideas are small!"

They have looked at the ever being the same look barcode and come up with the idea of D-Barcode.

These barcodes are fully functional, and can be designed like logos to go with the company's packaging in order to promote the product and increase the sales by making the customers remember something more than a few lines in a row!

The company though does not do this cheaply and as well as design costs, they ask for yearly licensing fees.

All together, I found the designs absolutely interesting.

You can visit the Japanese site at http://www.d-barcode.com/, if you can read Japanese of course. Otherwise, Google for the keywords d-barcode under Google images and be amazed!

Also see my post on QR-Codes on 29 October 2009 here: http://www.designmaze.co.uk/archive/2009/2009.php.

Resolution Myths and Maths
20 Dec 2009



When selecting image resolution in Adobe Photoshop, you need to know the purpose for the image use. An image with a fixed number of pixels will show the same on the computer monitor no matter what resolution it is saved as. So on a web page an image with a 72 ppi displays the same as an image with 300 ppi. The difference is only visible when the image is used for printing. A 300 ppi image is the most suitable resolution for commercial printing, whereas for photo printing, a 200 ppi would do the job and on an inkjet printer you are better to use 150 ppi.

The measure we used here, i.e. ppi, is abbreviation for Pixel Per Inch! The more pixels in one inch, the more detailed a picture can be printed without showing rough edges! The reason is when a picture is printed, the number of pixels it has is a fixed number, and so with the lower number of pictures per inch, the pixels will be blown bigger, making the pixels in the images more visible and so reducing the quality of the printing.

The rule of thump is, always start with larger image sizes, i.e. images with more pixels. Because if later on you need to enlarge an image that you have started off with lower size, you would lose the quality as the pixels are now have to enlarge to show the same image as the number of pixels will not increase.

Computer monitor sizes determine how many pixels can be displayed on the screen, for example a 19 inch monitor, typically is set to 1152x864, which means 995328 pixels can be displayed. This is irrespective of the image resolution or ppi. In fact there is no visible difference between an image of 72 ppi and another image of the same size with 300 ppi.

It is only when the images are going to be printed that the one with 72 ppi, will print larger as for a fixed number of pixels, say 400x300, the 72 ppi picture size will be 5.5 inch x 4.2 inch, although the 300 ppi picture will print as 1.3 inch x 1 inch, as you can fit more pixels in one inch of paper in 300 ppi image!

Infinite Dreams
20 Oct 2009



Visit http://mehmet-ozgur.com/ to see some smoky art!

The Bird!
19 Oct 2009



I have created this art by combining a charcoal drawing with Photoshop layers, combining patterns and a dash of colour around! I am pleased and like the way it confuses the brain.

Sweet Drawing
17 Sep 2009



Enhance your personal drawings by using Photoshop.

  • Take a picture of your drawing
  • Duplicate it and add make the duplicate layer in Multiply mode
  • Play with the contrast until the lighting is right
  • Save as you wish
The Never-ending Why!
28 Aug 2009



Welcome to the magic of interactive music video. Here is where music and web technology merge together to give the user an experience to remember.

As stated in http://www.placeboworld.co.uk/newsletters/TNEW-Interactive.html

"PLACEBOWORLD, BIG EYE DEERS & KERRANG magazine have got together with Nexus Productions to bring you the next level of music video. Now you don’t just get to watch the latest PLACEBO video, you can immerse yourself and interact with the momentum of the ‘The Never-Ending Why’ world."

I cannot stop interacting with this fantastic video. Can you? Try now! Watch it by visiting the URL link below: http://theneverendingwhy.placeboworld.co.uk/

Find my Cat!
25 Aug 2009



Create amazing combinations using Photoshop CS4.

Here I have combined two photos, one from the shore and its colourful pebbles, and the other is a picture of a cat ornament.

I have then layered them in Photoshop and used a combination of layering modes to get the desired effect.

Rainstar on Fire
5 July 2009



Put your text on fire by following ten easy steps:

  • Write your text with white on a black background, and Flatten Image.
  • Change the canvas orientation by turning 90 CW
  • Use Filter > Stylise > Wind from the Left.
  • Use Ctrl (Command) a few time to make it more intense.
  • Use Filter > Distort > Ripple
  • Rotate the canvas back to original 90 CCW
  • Add two new layers and make them one with red background and one with yellow background.
  • Make sure they both use Blend Mode "Overlay"
  • Add any desired pattern.
  • Save as jpeg and share with friends!

Abstract
30 June 2009



An abstract work - free style - using Photoshop!

Photoshop Eraser Tool
7 March 2009



When we think of erasing, what comes to mind is removing the unwanted pixels from our work, but Photoshop works in an alternative way.

When you set the Photoshop Eraser tool to work in the Brush Mode, the eraser actually adds pixels using a brush set to your background colour.

Doing this creates an illusion that pixels are being removed.

To use this feature:

  • Select Erase Tool
  • Set Background colour to be the same as the background colour of the canvas
  • In brush mode, select your brush tip and size

You can also select Pencil mode or Block mode

Play with the eraser tool and enjoy your experience!

Spring
1 Mar 2009



Spring is approaching and nothing is more refreshing than seeing flowers coming from their winter journey to say hello to sky and sunshine.

So I fancied to do something flowery in Photoshop today. The idea is to select your favourite flower image of a painting or photo and create a pattern that goes with it.

  • Open an image of a photo in Photoshop
  • Double click on it so it a normal layer
  • Create a new blank layer by going to Layer > New > Layer ... and called it Pattern Layer
  • Fill it with a colour. I used dark blue.
  • Draw a picture of a flower or use a pattern or brush to repeat a shape. I used a yellow flower pattern
  • Move the Patten Layer behind your photo
  • Select your Photo Layer and right click to select and open Blending Options
  • Play with Blend Mode ( I used Hue) until you get a desired result



Alien Factory
31 Dec 2008



Inspired by the Monster Engine (See previous post), I have taken a picture painted by Alison age 7, from the internet and put it through my Alien Factory.

I enjoyed the experience of playing with the painting to create an alien, my first alien.

Here is Alison's original painting, which is the picture of a glass of water with its shadow!

Monster Engine
30 Dec 2008



Dave Devrie has once asked a question? What would a child's drawing look like if it were painted realistically? This question derived him to create what he later called "The Monster Engine".

He worked with the painting of children to bring them to life and in the process, turned the drawings to monsters.

Obviously we all agree that the intention of the children was not to draw monsters, but their limited ability to create realistic drawings made the creatures obviously less than perfect,. I personally think Dave could have created an engine of creatures less monstrous if he wanted to, but what he has done is fantastic and original!

Anyhow, you can see Dave's work here.

Power Slide
5 Dec 2008



Create art using MS Power Point.

  • Insert a picture or a photo in a new Power Point slide.
  • Use freehand drawing tool to draw around selected areas.
  • Use Fill In tool to colour the area.
  • Add any optional back ground as desired.
  • Delete the original picture if required.
  • Save the slide as a png or a jpg file.
  • Enjoy your power slide art.

Old Photo
24 Nov 2008



  • Take an ordinary photo
  • Use Photoshop
  • Use OptikVerve Labs Photographic Filter Plug In
  • Use a bit of imagination
  • Get a nostalgic result ....
Eyes
17 Nov 2008



Create something new by using Brushes and Styles

  • Download a few fancy brushes, such as eyes, flowers, edges, butterflies, etc
  • Use them to randomly create a saturated picture
  • Add a transparent style to lift the overall effect, I used a Sapphire style here

Photoshop Fractal
16 Nov 2008



Here is another fractal which I manipulated via Photoshop CS3.

  • Save your fractal as Photoshop psd file
  • Open the file
  • Duplicate the background layer
  • Desaturate the copy
  • Select a circular section in the centre via circular marquee tool
  • Select Layer > Distort > Twirl and twirl as you wish
  • Change the layer blending mode until you get something amazing, I have selected Linear Burn
  • Save as a jpg file and enjoy.


My Fractal Image
15 Nov 2008



Create amazing Fractal Images using Fractal creator programmes.

Fractals are mathematical functions that repeat themselves infinitely giving the creator the ability to zoom in a selected corner and discover the next pattern.

Some natural events such as weather, that seem to be chaotic on the surface, follow a fractal function in reality that changes its parameter over time. The beauty of the fractals is in the way a slight change of one parameter would create a huge difference in outcome after only a limited number of repeats or mathematically speaking iterations.

World is not a machine created with linear rules; it is an organisation created with some rules, fractals. This means we leave in total chaos and there is no predictable future. To know the future, you have to be in the future and what you do today, will change the future, no matter where or who you are.

We are all here to play the game! Enjoy it and have fun.

                                                             

Let's Play
9 Nov 2008



Create an artistic photo of yourself just by playing in Photoshop.

  • Open a picture  in Photoshop.
  • Use Lasso Tool to select areas.
  • Select Create a New Fill of Adjustment Layer by selecting the icon located on the bottom of Layer panel.
  • Select Curves and reduce the details a bit.
  • Double click on the curve layer and select  Bevel and Emboss - Texture
  • Select a texture and play with the scale and depth.
  • Repeat for other areas.
  • Save as jpg and Enjoy.

GimpShop
1 Nov 2008



These days, there is something open source for everything. And now Photoshop has an open source sibling called Gimpshop.

Gimpshop is a version of Gimp open source graphic software, written for users who are familiar with Photoshop.



You can find most of Photoshop basic functions such as layering and layer adjustments alongside a variety of brushes, gradients and patterns,

If you plan to invest in Photoshop, perhaps this would be a good entry level starter step. If you do not plan to buy Photoshop, but you still want to occasionally use a software that gives you functionality similar to basic Photoshop, mainly perhaps Photoshop Elements, then visit http://www.gimpshop.com/,  download and play with the Gimpshop.

Autumn to Winter
30 Oct 2008



Something to get me from Autumn to Winter. This is done in Photoshop, using one of my photos, a gradient layer, and a creative brush layer.

Phone Camera Magic
26 Oct 2008



We all sometimes use our mobile phone cameras to take that unplanned shoot. When doing so, depending to the lighting condition and the quality setting of the camera, we may end up with a very grainy picture.

Do not despair. There is an easy way to get rid of those grains, without having to own a photo editing software.

There is a tool called Neat Image, with the Standard Version available to download free. This tool is downloadable via www.neatimage.com.

Just open your photographs there and under "Device Noise Profile" tab, use the "Auto Profile with Regular Image. Then go to "Noise Filter Setting" tab an select Preview to see a sample of filtered image. You can play with the settings and once happy go to "Output Image" tab and save your filtered image.

I will be posting more about taking pictures with mobile phone cameras. Visit back or set a RSS link via Meta section of site right hand side navigation bar.

Raw Hippo
19 Oct 2008



It is amazing how shooting in raw can give the photographer the opportunity to create something that could not be achieved otherwise using the jpg picture processed by the camera.

I took a picture with my Canon Powershot G9 camera, both in RAW and JPG. Then I opened the RAW formatted file in Photoshop Camera RAW and played with it to get the desired picture obtained on the left above. (I have added the little hippo later via Photoshop)

I easily did get a chance to change the white balance, temperature, tint, exposure, brightness, contrast and other options, all from one single screen in seconds.

Shooting colour pictures in RAW also gives the photographer the opportunity to use the Gray Scale Converter in Camera RAW to obtain amazing Black and White photos.

Don't miss this feature if your camera comes with shooting in RAW option.

RGB or CMYK?
15 Oct 2008



Have you ever wondered what colour mode to use in Photoshop? The answer is on what you want to do with the  final product? Do you want to save it as a jpg or gif and use in on the web, or do you want to save it as a EPS for printing with higher quality?

Depending in your answer you can select your colour mode, via Image > Mode on the menu. For web use and presentations, use RGB mode, however if your plan is to print the final graphics, use CMYK mode.

RGB colour mode: This mode uses three colours, Red, Green and Blue to compose all other colours, which is capable of displaying nearly seventeen million colours on computer monitors via desktop or browser. RGB colours added together make up white, i.e. they act like light being added together,  which is the complete opposite for CMYK colours.

CMYK colour mode: This mode uses four colours, cyan, magenta, yellow and black. Each colour is created by specifying the transparency level of each of these four colours. CMYK colures when added together become darker, and together with black, they support the attribute of ink being absorbed on the paper.

Happy Autumn
12 Oct 2008



  • Open a 12 cm by 8 cm new file with 72px resolution in Photoshop
  • Create a new layer
  • Add a layer mask
  • Select a hard brush and change the spacing to 140% with a brush tip of 20 px
  • Make sure the foreground colour is black and background colour is white
  • Select the rectangle tool making sue it is in Paths mode
  • Click on the mask layer thumbnail and then select Windows, Paths
  • Select Stroke Path and select Brush
  • Select Load Paths as a selection from the Paths window
  • Go back to Layers window
  • Fill the selection with white and then select it, inverse and delete
  • Hide background
  • Add a picture of a oak tree leaf to a new layer and stroke it with grey
  • Create a text layer, 5P
  • From the shape layer, in nature selection select wave and drop it as a fill layer
  • Duplicate it and bring the duplicate down a bit to make 4 lines in the wave
  • Merge the duplicate with the original
  • Double click on this layer and reduce the opacity
  • Select Free transform and rotate it a bit.
  • Merge all layers
  • Save as a stamp and enjoy over a postcard background
Google Chrome Logo
28 Sep 2008



The above picture is a design by Florence Design Company. It amazed me to see Google used similar shape for the their new browser "Google Chrome".

Of course the colours are the same as the colours of the Google logo itself, blue, green, red and yellow. These have favourite with Microsoft Windows Vista and also ZOHO. It seems these colours are good for branding , together with the circle which brings out the concept of the openness.

But one more thing that comes to eyes straight away in Google Chrome logo, is a camera shutter. It does make me feel like being watched, but Google Chrome comes complete with an Incognito browsing mode, which destroys the history of the sites browsed for extra privacy.

To see more on "Google Chrome" come back for my next post.

Heat it Up!
14 Sep 2008



Heat it up with this fiery layer style.

  • Create a new black background layer.
  • Take your Muse Brush, see http://www.designmaze.co.uk/archive/2008/jun/27/muse_brush.php.
  • Select white colour for foreground.
  • Stamp the brush with a desired size .
  • Double click on the layer.
  • Select Inner Glow. Select a solid orange colour with full opacity. Set the blend mode to Hard Light.
  • Select Outer Glow and choose a red colour with full opacity and set the blend mode to Hard Light.
  • Select the smudge tool with a suitable size and smudge the boundaries to create a convincing fire.
Pattren It Up
20 Jul 2008



Using and creating patterns are simple but very effective to add professional look to your images.Creating patterns are easy and adding them to your pictures are even easier. I have created a simple line pattern and added it to my previous Fish Love entry. The result is amazing. Go for it and do it yourself.

To create a pattern in Photoshop:

  • Open a small 10 px X 10 px canvas
  • Zoom in as much as you can
  • Add your pixels to create a symmetric shape
  • Once done, go to Edit > Make Pattern and give it a name

To use your pattern in Photoshop:

  • Open a new photo and double click on the layer twice to get to Layer Properties
  • Tick Pattern Overlay and double click to see the pattern selection list
  • Click to select your new pattern
  • Adjust the scale and the opacity
  • Add Gradient Overlay if desired
  • Enjoy your art
Lonely Pear - Part 1
13 Jul 2008



Enjoy creating a fresh pear in Photoshop, from scratch.

  • Paint the shape of a pear  using a round brush
  • Soften the edges by applying a Gaussian blur
  • Sharpen the edges back by using the Levels Adjustments
  • Select your pear using the selection tool and copy in to a new layer
  • Fill in your pair with a colour such as green
  • Set up a mask layer for later adjustments
  • Using an airbrush add some blob of paint like red and yellow to your pear
  • Blend the colour together by again using the Gaussian blur
  • Add texture by adding noise using Noise filter with Monochromatic selection
  • You can make the pear look better by duplicating it and change the layer blending mode in the top layer to Soft Light
  • Come back for Part 2, and learn how to add shadows and highlights for a complete pear effect!
Fish Love
6 Jul 2008



Create quick vignette out of your favourite pictures in five easy Photoshop steps.

  • Set foreground colour to white
  • Select the area of the picture you require to keep y using the elliptical Marquee tool
  • Select > Modify > Feather ( Alt + Ctrl + D) and choose 10
  • Select > Inverse
  • Edit > Clear

 

Muse Brush
27 June 2008



Enjoy a new custom made brush of say your favourite rock star.

  • Open a photo of your favourite rock star in Photoshop.
  • Using any selection tools, select what you like to use as a brush tip in Photoshop.
  • Choose Edit  -  Define Brush Preset.
  • Save the brush by naming it and clicking OK.
  • Go to your brush set to see your new brush.
Hide Smart
15 June 2008



Photoshop CS3 comes with many new features and one of the useful features is non destructive smart filters. This means you can apply filters and have total control to change the filters without changing the original picture.

Go to Photoshop CS3 and open any picture you like

  • Go to Layer and Convert to Smart Object
  • Go to Filter and Select any filter you like, say Blur, Gaussian Blur
  • Click on the smart filter and you can mask out parts of the filter as you wish, or change the filter properties
  • In the right hand side picture above, I have used an artistic filter over the blur, and masked out the rose
Cook from Raw
8 June 2008



The first time I opened a raw file in Photoshop CS3, after taking some photos in raw with my Canon EOS 450D DSLR, I totally understood the value of having an image taken in raw format.

To compare what I got in raw and jpeg formats, I took a picture in RAW + JPEG. This is provide by Canon for passionate photographers who perhaps do not want to spend time to convert all their raw images themselves, but wanted to keep that vital raw information, that serve similar as a film negative in storage.

So what is the big deal about the raw format and why we get default jpeg images on our memory cards?  A raw format file is not a photo or even an image. It is a file that contains and keeps all the data necessary to create an image plus all the meta data that goes with it such as camera model, date and time taken, ISO and more.

When we take a picture, the camera's  sensor is exposed to light as at the time of the shot  with the selection made by the photographer at the time, such as white balance.  The camera has a built in raw convertor that automatically process this information and save them as a jpeg file in the memory card. This process is irreversible and any information lose to make the compact jpeg file is lost forever, taking away from the photographer the opportunity to correct any mistakes later.

A raw file is that opportunity to access that pure data exposed to the sensor at the time of the shoot.   A raw file is the data as it was, pure and untouched.  By opening a raw file in Photoshop CS3, Camera Raw plug in starts and within seconds the image data such as white balance, temperature, saturation and highlights can be altered to produce an amazing results that would take hours, if at all posible to achieve via any image manipulation programme using the jpeg file.

Shooting in raw also has an extra hidden advantage of having the opportunity to use  future improvements in colorimetric conversion which are not still available or known. Something like processing a film negative with newer technology that would create better results.

In the above picture, in left hand side I have my shoot in jpeg format and in the right hand side, the converted shoot using a raw format and Photoshop CS3 Camera Raw.

DSLR - Special Features
1 June 2008



If you are deciding to buy a new digital SLR camera, and would like to know about three new features recently available in the Digital SLR cameras, read on.

These three new features are:

  • Dust Control
  • Live View Mode
  • Built in Image Stabilizer

Dust Control

In digital SLRs, or in fact in any SLR camera, the photographer has the ability to change the lenses in order to make the most out of type of photography involved. This feature means that when changing the lens, the interior of the camera, including the sensor is exposed to dust particles.

When dust enters the interior of a camera, it will land on the sensor and so blocks the light to reach the sensor in those dots.

The Anti Dust technology , or Integrated Cleaning System is a new technology that automatically shakes off the dust by using variety of techniques, such as shake, or static charges to repel the dust particles, or even software to identify the dots and remove them before processing.

Live View Mode

Until recently this feature which is widely used in compact digital cameras, was not available for digital SLRs. The reason is the difference between the build of a SLR and a compact camera and the way pictures are taken.

In order to be able to see a live view of a picture before the shoot, light has to be reflected to the sensor. As digital SLRs use a mirror to reflect the image from the viewfinder and meanwhile the mirror blocks the sensor, the live view is not possible, unless the camera is equipped with the new Live View LCD technology.

In Live View Mode technology a second sensor is build in the way of the light in order to transmit the light to the LCD.

Built in Image Stabilizer

This is not something new for a lens, but a new feature for the camera body. So why image stabilizer. This is equivalently called Anti Shake and is required if photographer requires to take pictures in low natural light, without using a flash particularly if they are moving objects, like children playing in living room.

Basically when the shutter speed is low in order to absorb more light, any slight movement will result in producing blurry pictures. High ISO setting will produce more noise or grain and if the lens is not equipped with a required wide aperture settings, then the only way to stop the blur is to have a camera with Anti Shake technology built in.

This technology is based on a simple concept of making sure that the camera sensor doesn't move and so cameras with this feature have sensors built in a certain way to stop them moving when handled by a shaky hand or when shutter speed is low.

Panoramic Photomerge
25 May 2008



Create that stunning panoramic effect by merging your shoots in Photoshop CS3.

  •  Take overlapping pictures of a landscape you adore.
  • Saved them into a folder.
  • Open Photoshop CS3, and go to Files menu.
  • Select Automate, and then Photomerge.
  • Select the files that you have saved in the second step above.
  • Submit and watch the magic happen.

 

Cutout Roses
11 May 2008



Creating art from photos, as you gathered by now, is one of the activities I most enjoy when using Photoshop CS3. If you want to transform any picture to art and be guaranteed to have infinite choices, follow my simple steps:

  • Open your photo in Photoshop CS3.
  • Double click on the background layer.
  • Use the select tool to select part of your picture. Here I selected the three roses.
  • Use Filter, Artistic and select as you wish. I selected the Cutout Filter.
  • Inverse the selection to select the rest of your photo.
  • Use Filter, Brush Stroke,  to transform the rest. Here I selected the Sumi-e.
  • Add a Layer Style is optional to create the extra dimension.
  • Finally save as jpg and add it to your digital art collection.
  •  

 

Show off Reds
4 May 2008



Sometimes you can look at a picture and not see it, because there are too many colours in there. There is an easy way in Photoshop CS3 to bring out that special colour in your picture. Here I love to show off the reds.

  • Open your picture in Photoshop CS3.
  • Duplicate the background layer.
  • Desaturate the duplicate layer using Image, Adjustment Layer.
  • Double Click on the layer in the layer's panel.
  • Drag the underlying layer left slider towards the right a quarter of the way.
  • Watch your picture in a new light and enjoy!


Purple Cherry
27 Apr 2008



Fancy changing colours in photos to what you like. Then follow these simple steps:

  • Open your photo in Photoshop CS3.
  • Create a new layer by using Layer, New, and Layer.
  • Double click on the background layer.
  • Select your desired object in the photo that you‘d like to change its colour, using the Photoshop CS3 Quick Selection Tool.
  • Go to Image, Adjustment, and Hue/Saturation while the selection is active.
  • Play with the Hue and Saturation until you get the desired colour, and click OK
  • Be adventurous and add a shape layer to create a frame, using custom shapes.
  • Save as a jpg and enjoy.
Pick Me Up
20 Apr 2008



Have fun with Free Transform and Layers to create a photo collage.

  • Open your first photo in Photoshop CS3.
  • Create a new layer by using Layer, New, and Layer.
  • Copy your second photo in this new layer.
  • User Layer, Layer Mask, Reveal All.
  • Select a brush and mask out the unwanted details.
  • Use Edit, Free Transform and resize the second Photo to desired size.
  • Use Move Tool to move it to the desired location.
  • Be adventurous and add an Artistic Filter, by using Filter, Artistic.
  • Save as a jpg and enjoy.
Print Art
30 Mar 2008



Achieve quick print art results using Photoshop blending mode in layers. This can be used in your scrapbooks or just printed out for a an artistic print result. To get the result here follow these very simple steps. It should not take you more than 10 minutes if you are familiar with Photoshop.

    • Cut out around a photo and ctrl+J to copy the selection into a new layer.
    • Hide or delete the original layer.
    • Duplicate the new layer twice to stack up over the new layer.
    • On the first copy of the layer which is directly over the bottom layer, invert colours using ctrl+I and change the blending mode to colour.
    • On the second copy that now sits on the top of the stack, change the lending mode to hard light.
    • Use a transparent gradient colour to jazz the result up if you want.
Shadow Fun
21 Mar 2008



Drop Shadow is one of the many features available in a Layer Style Panel. To access and have fun with this feature

  • Double click on the selected layer to get to the Layer Style window
  • On the left hand side of the window you see the Styles, Blending Options.
  • The first one on top is Drop Shadow. Tick it to get the default shadow.
  • To get the Drop Shadow Panel, highlight it by clicking on the Drop Shadow text.
  • In Structure panel, you get the choice of Blending Mode, Opacity and to change the Colour of the Shadow.
  • To change the Angle and Distance, just put your mouse over the shadow and control is completely yours. No need to fiddle with Angle and Distance in the Structure panel.
  • Size and Spread will do what exactly they say they do, they resize and spread the shadow.
  • In the Quality panel you can either select a pre-defined quality by clicking on the arrow next to Contour, or double click on any Contour to open the Contour Editor.
  • Dragging the Noise to the right in the Quality Panel, will increase the noise of the shadow.

Play and have fun with the Drop Shadow.

Layer Groups
16 Mar 2008



Understanding Photoshop Layers and how to use them to create what we want is an essential part of enjoying our graphical design experience and in my case having  lots of fun with Photoshop.
This short help explains the use of Grouping layers and how to achieve it.
On the layers tab, you may have tens of layers stacking on top of each other. Sometimes some of these layers are relevant together and achieve a certain result for you.  Once you decided these layers, you may want to file them away in a folder like manner. Grouping gives you this exact ability.  
To create a new group and adding layers to it

  • Multi-select all the layers you want to group together by holding the control key (Windows) down and clicking on the desired layers
  • Drag  the selected layers in to the folder icon on the button of the layers palette.

Group layers names are automatically created and default to Group 1, Group 2, etc. To rename a layer group, right click on the group name and go to Group Properties.
You can also create sun-groups for existing layer groups in the same manner and in this way you organise your groups into smaller groups if required.

Silver Nights
23 Feb 2008



Today was my just feel creative day. So I just played with a combination of tricks I knew and created a couple of images. Here is one of them, which I called Silver Nights.
If you are interested to know how it is done, please contact me  and I will send you the tricks.

Sandy Pictures - Part 3
17 Feb 2008



After our sandy adventures in parts 1 and 2, finally it is time to have some fun scribbles on the sand!

  • Grab the sandy texture you have created in “Sandy Pictures – Part 2”
  • Add a Text Layer and write something you like. I chose “Sunny”
  • Double click in the text layer to open the Style window
  • Change the blending mode to Colour Dodge
  • Select Contour from the Styles and double click on it
  • Play with Elements and Range to get the right effect

Here is my “Sunny Sand”.

Sandy Pictures - Part 2
16 Feb 208



Now it is time for me to experience some textures on sand! I grab my sand picture from the “Sandy Pictures – Part 1”.
To add texture to the sand

    • Double click on the layer to open the style window
    • Double click on the texture and select a pattern like bubbles, or clouds.
    • Play with the Scale and Depth
    • Try Invert to see the effects
Sandy Pictures - Part 1
15 Feb 2008



I love drawing on sand. Whenever I go to seaside, it is one of my rituals to write names of people I love on the sand.

It  was a frosty morning today, but when the sun came out, I felt like being on a sun-kissed sand somewhere warm. Photoshop came to my rescue.

Here I created a sand texture background in Photoshop to use later for my drawing.

    • Create a new file in Photoshop with default setting. I used a 300 px by 300 px size.
    • Fill it in with a yellowish colour such as d6hd81
    • Add 20% of Gaussian Monochromic noise.
    • Colorize by Image Adjustment, Hue/Saturation.
    • Get ready for the next adventure on the beach.
One Minute Photo Art
11 Feb 2008



It does not have to be hours of work to transmit your favourite landscape photo to a work of art.  Here is how you get the arty result.

  • Open your photo in Photoshop
  • Double click on the background layer to un-lock it
  • Duplicate the layer
  • Desaturate it
  • Filter  > Stylize > Find Edges
  • Set the layer as a Colour Burn
  • Save and enjoy!
Chocolate Girl
10 Feb 2008



It is not always the case of brining those old photos to life by adding colour and restoring the scratches and stains. Sometime it is nice to work the other way. Go back in time and see what we get. This is a very easy process in Photoshop and can be achieved by using only two image adjustments, i.e. Desaturate and Hue/Saturation.

    Go to Photoshop and open your original colour image.
    • Go to Image Adjustments and apply Desaturate.
    • Go to Image Adjustments again and click on Hue/Saturation
    • Make sure the Colorize is ticked.
    • Use Hue around 33 and Saturation around 22, and keep the lightness at 0.
    • Enjoy your new old picture!

    The image used in this work is a painting originally by Liotard, Jean-Etienne called The Chocolate-Girl c. 1743-45.

Let's Go Swimming!
3 Feb 2008



And here is my first attempt to transfer my Photoshop tricks. Imagine it is a very cold day, one of those greyish days after snow, when the ice speaks of constant wriggles on the floor. Penguins are fed up with the cold and all out the water nagging and cursing the weather!
I had an email from one of my penguin friends, called Pingu. She was desperate for my help to get them some warmer, sunnier sky to melt the ice and heat the waters. She confessed that she missed swimming so much.

So I started to work.

  • I duplicated my original layer.
  • Then I went to Photo Filter via Image – Adjustment.
  • Applied a warm filter.
  • Made it more realistic by using the Brightness/Contrast.

I emailed the image back to Pingu. She replied to me with a warm smile! Have a go. Add some warmth to your images!

The Dark Rose
2 Feb 2008



The soar of digital technology has revolutionised art by increasing the possibilities an artist may have for expressing and communicating messages that cannot be otherwise articulated with words.

Adobe Photoshop is a unique fantastic tool that comes with a set of filters that assist in creating art by using photographs. These filters bundled with layers and masks and an infinite possibility to use existing brushes and patterns as well as creating new ones opens a world of magic to any graphic artist.

I have created the art work here by using an original picture of a red rose and a combination of filters and adjustment layers. My plan is to update this site with some of my Photoshop work as well as creating simple entries that can be followed for fun as well as learning that extra Photoshop trick.

Feel free to download my "Dark Rose" and send it to your Valentine.

Possibilities with Images
27 Jan 2008



When it comes to editing your images, the limit is the sky. You may consider doing some corrections to

  • Re-position the objects within your image
  • Crop the extra surrounding
  • Change the colours
  • Change the brightness or luminosity of colours
  • Change the resolution or size
  • Modify the content by adding extra objects
  • Modify the contents by removing extra objects
  • Enhance the objects by making them look better
  • De-grade some objects by making them look bad
  • Mix some images together to create artwork
  • Modify images by applying artistic and creative ideas

I will add examples of each of these to my site soon. Please come back visit later to see more examples, or look now to see what is already there.

The above image is taken inside a sunglasses shop in a dark rainy day while trying a model I could not afford to buy! I then mixed it with a background image of a park taken in Paris in a sunny day. The result is somehow convincing!

Photos Reborn
25 Jan 2008



One of many implementation of Graphic Design is Photo Editing. We all know that

  • Photos are one of many effective ways of communication.
  • They are easy to grasp.
  • They give us a way of talking without speaking
  • They remind us of our friends.
  • They bring us back good memories.
  • They make us nearer to our loved ones.
  • Design Maze offers photo editing for individuals and businesses.

If you would like to re-touch, or transfer your photos to art work, contact me to discuss your requirements.